Metropolis (1927) is a German expressionist science-fiction drama film directed by Fritz …
Metropolis (1927) is a German expressionist science-fiction drama film directed by Fritz Lang with screenplay by Thea von Harbou. It was adapted with Lang from von Harbou's novel (1925) also called Metropolis. It stars Gustav Fröhlich, Alfred Abel, Rudolf Klein-Rogge, and Brigitte Helm. Made in Germany during the Weimar period, Metropolis is set in a futuristic urban dystopia that is sharply divided between the working class and elite. Original Score by Gottfried Huppertz. Freder the son of the wealthy and powerful city master, Joh Fredersen, falls in love with Maria, a prophetic figure to the working class. The film length was cut back after its original German premiere, with restoration efforts finding footage recovered from Argentina and New Zealand to bring it close its original. The film has a fairy tale like plot of uniting the classes with an ending title reading "The Mediator Between the Head and the Hands Must Be the Heart." It is considered to be one of the best 100 films of all time. Visit this link to see a shortened version with the Music score composed by: Giorgio Moroder, Gottfried Huppertz, Thomas Köner, Ronnie Cramer.
This is the Output of the Etwinning Project Mission: Creating Gender-Responsive Learning …
This is the Output of the Etwinning Project Mission: Creating Gender-Responsive Learning Environment. When developing gender-responsive learning environment through the project, we will try to provide a complete and holistic picture of each unique situation as it relates to women, girls, men and boys. While there are many gender-based barriers to education—socio-economic, cultural, and institutional—the project will focus on practical tools that individual teachers, directors, educators can put to immediate use in their classrooms, organization or even workplace. It addition, it contains key definitions related to gender and education, references to international commitments to gender equality in education, and a list of supplementary online resources and suggested reading materials. We hope that this project will help to raise awareness, spark discussions, and encourage sensitive and productive learning environments for students of all genders and stages.
Welcome to MUSI 1306, Music Appreciation. I think you’ve made a smart …
Welcome to MUSI 1306, Music Appreciation. I think you’ve made a smart choice to spend some weeks studying some of the greatest music ever written. Consider for a moment how quickly a hit pop song passes from fashionable to forgotten. Those of us that have been out of high school or college more years than we care to remember have certainly had the experience of hearing a favorite anthem of our youth and thinking, “Oh yeah, that song! I’d forgotten that one.” Think about that: the song was totally loved, then completely forgotten within a matter of just a few years. Then consider that many of the composers that we will study have been dead for over two hundred years, and yet their music has never been forgotten and never stopped being performed and loved. That, quite simply, is amazing.
Children are inherently musical. They respond to music and learn through music. …
Children are inherently musical. They respond to music and learn through music. Music expresses children’s identity and heritage, teaches them to belong to a culture, and develops their cognitive well-being and inner self worth. As professional instructors, childcare workers, or students looking forward to a career working with children, we should continuously search for ways to tap into children’s natural reservoir of enthusiasm for singing, moving and experimenting with instruments. But how, you might ask? What music is appropriate for the children I’m working with? How can music help inspire a well-rounded child? How do I reach and teach children musically? Most importantly perhaps, how can I incorporate music into a curriculum that marginalizes the arts?This book explores a holistic, artistic, and integrated approach to understanding the developmental connections between music and children. This book guides professionals to work through music, harnessing the processes that underlie music learning, and outlining developmentally appropriate methods to understand the role of music in children’s lives through play, games, creativity, and movement. Additionally, the book explores ways of applying music-making to benefit the whole child, i.e., socially, emotionally, physically, cognitively, and linguistically.
In this video segment adapted from Haskell Indian Nations University, student filmmakers …
In this video segment adapted from Haskell Indian Nations University, student filmmakers explain why it is important to them to make a video about climate change.
The digital age has created the need for a new kind of …
The digital age has created the need for a new kind of literacy-a literacy that empowers news consumers to determine whether information is credible, reliable and truthful. This is not just a skill; it is a new core competency for the 21st century. So-called “fake news” is hard to spot and spreads easily, leading to disagreements over basic facts. The antidote to the growing challenges posed by this digital revolution is news literacy. This mini news literacy course includes two three-hour sessions that will teach anyone to become a more critical consumer of news.
The 4-day unit is designed to center on the voices of a …
The 4-day unit is designed to center on the voices of a marginalized community, Muslim Americans, as a foundation for students to explore and celebrate the plurality of values and identities in their own classrooms. Students will be engaging with journalism, practicing active listening, compassion, and empathy, and meet differences with curiosity rather than prejudice.
Students begin this unit by reading The Proudest Blue, a picture book by Olympic medalist Ibtihaj Muhammad that captures the challenges Faizah and Asiyah face when Asiyah wore her hijab to school. Students discuss discrimination and focus on the the hijab as a symbol of cultural identity.
Then students screen a short documentary film “Holding Fire.” The documentary follows Somia Elrowmeim, a naturalized American Yemeni immigrant and activist, who fights for the rights of South Brooklyn Muslims. The film provides a behind-the-scenes look at how grassroots organizing works especially during the modern Islamophobia period.
Driven by the courage and joy that Faizah, Asiyah, and Somia demonstrate in celebrating their cultures and standing up in their communities, students will explore these themes in their classroom. This mini-unit is being taught as a part of a longer classroom exploration of conflict and resolution.
Open Music Theory is a natively-online open educational resource intended to serve …
Open Music Theory is a natively-online open educational resource intended to serve as the primary text and workbook for undergraduate music theory curricula. OMT2 provides not only the material for a complete traditional core undergraduate music theory sequence (fundamentals, diatonic harmony, chromatic harmony, form, 20th-century techniques), but also several other units for instructors who have diversified their curriculum, such as jazz, popular music, counterpoint, and orchestration. This version also introduces a complete workbook of assignments.
The Internet lets us share perfect copies of our work with a …
The Internet lets us share perfect copies of our work with a worldwide audience at virtually no cost. We take advantage of this revolutionary opportunity when we make our work “open access”: digital, online, free of charge, and free of most copyright and licensing restrictions. Open access is made possible by the Internet and copyright-holder consent, and many authors, musicians, filmmakers, and other creators who depend on royalties are understandably unwilling to give their consent. But for 350 years, scholars have written peer-reviewed journal articles for impact, not for money, and are free to consent to open access without losing revenue.
In this concise introduction, Peter Suber tells us what open access is and isn’t, how it benefits authors and readers of research, how we pay for it, how it avoids copyright problems, how it has moved from the periphery to the mainstream, and what its future may hold. Distilling a decade of Suber’s influential writing and thinking about open access, this is the indispensable book on the subject for researchers, librarians, administrators, funders, publishers, and policy makers.
The Internet lets us share perfect copies of our work with a …
The Internet lets us share perfect copies of our work with a worldwide audience at virtually no cost. We take advantage of this revolutionary opportunity when we make our work “open access”: digital, online, free of charge, and free of most copyright and licensing restrictions. Open access is made possible by the Internet and copyright-holder consent, and many authors, musicians, filmmakers, and other creators who depend on royalties are understandably unwilling to give their consent. But for 350 years, scholars have written peer-reviewed journal articles for impact, not for money, and are free to consent to open access without losing revenue.
In this concise introduction, Peter Suber tells us what open access is and isn’t, how it benefits authors and readers of research, how we pay for it, how it avoids copyright problems, how it has moved from the periphery to the mainstream, and what its future may hold. Distilling a decade of Suber’s influential writing and thinking about open access, this is the indispensable book on the subject for researchers, librarians, administrators, funders, publishers, and policy makers.
The Open Guitar Building Project—a part of ETSU’s Guitar Building project—is a …
The Open Guitar Building Project—a part of ETSU’s Guitar Building project—is a repository of open source designs for teachers and builders of acoustic and electric stringed instruments. Affiliated with the STEM Guitar Project (http://guitarbuilding.org) since 2010, ETSU’s Guitar Building project is following the open access tradition of this National Science Foundation (NSF) grant-funded student engagement effort. The designs and support materials herein are made available through a Creative Commons BY-SA 4.0 (Attribution-ShareAlike 4.0 International) license; please feel free to use, share, and adapt these designs and materials for your use. All we ask is for you to give appropriate credit to the ETSU Guitar Building project and this Open Educational Resource page.
For more information on the ETSU Guitar Building project, please visit our social media site at http://www.Facebook.com/ETSUGuitars.
"Open textbooks are textbooks that have been funded, published, and licensed to …
"Open textbooks are textbooks that have been funded, published, and licensed to be freely used, adapted, and distributed. These books have been reviewed by faculty from a variety of colleges and universities to assess their quality. These books can be downloaded for no cost, or printed at low cost."
There are many who believe that "less is more" when it comes …
There are many who believe that "less is more" when it comes to using technology. This is the heart of the debate around recording vocals in music: how much manipulation is too much? If recording engineers and producers can use computers and software to digitally alter a vocal track, what happens to the original voice, and what role does talent play? To many, there is a fine line between the "perfection"that can be achieved with technology and the experience of "authenticity" in a recorded vocal performance. This lesson explores the ways in which music technology can enhance a singer's performance. It also considers the listener's interest in hearing the "authenticity" of a vocal performance. Either way, the heart of most popular music is the same, important center: the human voice.
Taking Sam Phillips as a case study, this lesson explores the role …
Taking Sam Phillips as a case study, this lesson explores the role of the producer in the recording studio as one defined by an ability to guide the recording process but also to affect the wider cultural context. After investigating what a producer does and why an artist might benefit from a producer's services, this lesson looks at the way Sam Phillips' approach in some ways reflects the trend of urbanization in the American South. Like Phillips, many of his artists came from rural backgrounds and were seeking the benefits of urban life. That move toward the urban, and the racial mixing it fostered, was almost encoded in the music, as the lesson activities will illuminate. Finally, the lesson looks at Phillip's guidance of a young Elvis Presley and suggests how the music they produced created an opening for African-American music to "crossover" into mainstream American popular music.
Phil Spector and George Martin both created defining sounds of the 1960s, …
Phil Spector and George Martin both created defining sounds of the 1960s, but, inevitably, as music and culture changed, so too did some musicians' ideas about allowing producers to exert control over their music. Some of the Singer-Songwriters of the early 1970s, such as Joni Mitchell, accepted little or no input from producers, focusing on the clarity and directness of the lyrics with sometimes minimal musical accompaniment. In the latter part of this lesson, students use a handout with information about both Betty Friedan's seminal The Feminine Mystique and events in 1960s Second-Wave Feminism as a backdrop by which to consider Joni Mitchell's decision to "self-produce"in the early 1970s.
To many, the sense of limitless possibility The Beatles arrived at while …
To many, the sense of limitless possibility The Beatles arrived at while working inside Abbey Road Studios was part of a broader pattern of change connected to the 1960s countercultural movement. Political and social events, including student protests against the Vietnam War, a popular interest in the study of Eastern religions, and the publication of books such as 1964's The Psychedelic Experience, helped to inform The Beatles' musical decisions as much as the music the group invented fueled the rise of a new youth culture. The Beatles provided the soundtrack to a new experience. As popular icons that challenged social norms and encouraged creative thinking, recording artists like The Beatles began using multitracking technology to make music in the studio that could not be reproduced on the concert stage and that expanded our understanding of what popular music could be and what it could do. The studio was no longer a predictable space for recording live performances; it became a laboratory for constructing sophisticated musical imaginings. As such, it was a perfect reflection of the new youth culture's spirit.
A Practical Approach to Understanding Music Theory is a textbook designed for …
A Practical Approach to Understanding Music Theory is a textbook designed for the non-music performance major or music business/audio engineer who needs to professionally interface with musicians without needing to write or compose music. The material is designed around a spiral learning model in which a very simple straightforward concept is introduced, defined and explained. From this point and forward the book adds one element of music theory after another until a broad base of musical understanding and application is achieved. Even though the spiral learning model has a linear approach, the book is also laid out in a manner that any music student or hobbyist may treat it as a research manual to search out specific explanations of musical situations they encounter. This text is meant to be an all-inclusive explanation of how music is created, graphically distributed and performed for those who are not majoring in music theory, performance or education. It is aimed at those who are seeking a career in audio engineering, music business, artist representation, minoring in music, teaching lessons in a local community or someone who just wants to learn to play and understand music on a deeper level.
Migration normally happens out of necessity: work, natural resources, or safety for …
Migration normally happens out of necessity: work, natural resources, or safety for one’s life. The desire to migrate may be a solution for many but there are barriers that can prohibit the need for safety and prosperity. A large number of students’ families are renting or experiencing homelessness in many parts of the United States. They are entering secondary education ready to get jobs to help their families to gain or just maintain a stable home. Students are also preparing for their small individual migrations from their current schooling location and/or homes to a place of post-secondary education or occupation.
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