As part of the University of Nottingham, School of Biology's 200 years of Darwin celebrations,
evolutionary geneticist Professor John Brookfield in full Victorian attire delivered a talk, as Darwin, on the theory of evolution via natural selection.

In this video Professor John Brookfield is interviewed about his experience of being Darwin for a day

Interview took place March 2009

Suitable for Undergraduate study and community education

Professor John Brookfield, Professor of Evolutionary Genetics, School of Biology

Professor John Brookfield has a BA in Zoology, University of Oxford 1976; PhD in Population Genetics, University of London 1980; He has worked as a Research Demonstrator in Genetics, University College of Swansea 1979-1981; Visiting Fellow, Laboratory of Genetics, The National Institute of Environmental Health Sciences, North Carolina 1981-1983; Lecturer in Genetics, University of Leicester 1983-1986; Lecturer (1987), Reader (1997) and Professor of Evolutionary Genetics (2004) University of Nottingham. He was Managing Editor, Heredity (2000-2003). Vice-President (External Affairs), Genetics Society 2008-, Appointed Fellow of the Institute of Biology, 2009. Member RAE Biological Sciences Panel and Sub-Panel, 2001 and 2008.

As part of the University of Nottingham, School of Biology's 200 years of Darwin celebrations,
evolutionary geneticist Professor John Brookfield in full Victorian attire delivered a talk, as Darwin, on the theory of evolution via natural selection.

In this video Professor John Brookfield is interviewed about his experience of being Darwin for a day

Interview took place March 2009

Suitable for Undergraduate study and community education

Professor John Brookfield, Professor of Evolutionary Genetics, School of Biology

Professor John Brookfield has a BA in Zoology, University of Oxford 1976; PhD in Population Genetics, University of London 1980; He has worked as a Research Demonstrator in Genetics, University College of Swansea 1979-1981; Visiting Fellow, Laboratory of Genetics, The National Institute of Environmental Health Sciences, North Carolina 1981-1983; Lecturer in Genetics, University of Leicester 1983-1986; Lecturer (1987), Reader (1997) and Professor of Evolutionary Genetics (2004) University of Nottingham. He was Managing Editor, Heredity (2000-2003). Vice-President (External Affairs), Genetics Society 2008-, Appointed Fellow of the Institute of Biology, 2009. Member RAE Biological Sciences Panel and Sub-Panel, 2001 and 2008.

This is a module framework. It can be viewed online or downloaded as a zip file.

As taught in Autumn Semester 2009/10

The 'Evaluation Techniques' module is one of the core modules taught on the Masters in Public Health which is offered by the Division of Epidemiology and Public Health at The University of Nottingham. This resource includes an overview of the module, a recommended reading list that supports the module and 3 of the 7 lectures that are delivered.

Suitable for study at Masters Level.

Dr Puja R Myles, School of Community Health Sciences - Epidemiology an Public Health

Dr. Puja Myles is an Associate Professor of Health Protection and Epidemiology at the University of Nottingham. She trained as a dentist at Panjab University, India and worked as a dentist in India before completing her specialist training in Public Health in the East Midlands. She completed a doctorate in Epidemiology at the University of Nottingham. She is currently part of the Health Protection Research Group at Nottingham and her research is primarily in respiratory disease epidemiology. She is also interested in evaluation methods and is currently involved in some public health service evaluations.

This is a module framework. It can be viewed online or downloaded as a zip file.

As taught in Autumn Semester 2009

The 'Health Promotion' module is one of the core modules taught on the Masters in Public Health which is offered by the Division of Epidemiology and Public Health at The University of Nottingham.

Suitable for study at: Masters level

Dr Puja R Myles, School of Community Health Sciences - Epidemiology and Public Health

Dr. Puja Myles is an Associate Professor of Health Protection and Epidemiology at the University of Nottingham. She trained as a dentist at Panjab University, India and worked as a dentist in India before completing her specialist training in Public Health in the East Midlands. She completed a doctorate in Epidemiology at the University of Nottingham. She is currently part of the Health Protection Research Group at Nottingham and her research is primarily in respiratory disease epidemiology. She is also interested in evaluation methods and is currently involved in some public health service evaluations.

This is a module framework. It can be viewed online or downloaded as a zip file.

As taught Autumn semester 2009.

Infections are a major cause of morbidity and mortality worldwide. The body fights infection through the functions of the immune system, whose power has been harnessed by the development of vaccination (immunisation).

Suitable for study at: Undergraduate levels 1 and 2.

Dr Ian Todd, School of Molecular Medical Sciences.

Dr Ian Todd is Associate Professor & Reader in Cellular Immunopathology at The University of Nottingham. After reading Biochemistry at The University of Oxford, he carried out research for his PhD in Immunology at University College London. He then undertook post-doctoral research at The Oregon Health Sciences University and The Middlesex Hospital Medical School. His main research interest is in the molecular and cellular bases of autoimmune and autoinflammatory diseases. He is a Fellow of the Higher Education Academy and a recipient of the Lord Dearing Award for Teaching & Learning.

Important Copyright Information:

All images, tables and figures in this resource were reproduced from 'Lecture Notes Immunology' April 2010, 6th Edition, published by Wiley-Blackwell and with full permission of the co-author and faculty member, Dr Ian Todd.

No image, table or figure in this resource can be reproduced without prior permission from publishers Wiley-Blackwell.

This is a module framework. It can be viewed online or downloaded as a zip file.

As taught in Autumn Semester 2009

This module has two essential components: Evidence-Based Medicine and Public Health. Evidence-Based Medicine was introduced as a new discipline because traditionally the teaching of medicine was heavily reliant on an apprenticeship-type system with emphasis on learning from observing one’s teachers. One of the guiding principles in the NHS today is that all health care should be based on research evidence. One of the aims of this module is to cover core concepts in epidemiology and basic statistics so that you are able to understand the evidence presented in research papers and apply it to your clinical practice.

The Public Health component of this module will provide you with insight into the factors affecting the health at a population level and how these may be addressed. It also aims to show how these factors may be distributed and how this can contribute to inequalities in health between populations.

Suitable for study: Undergraduate level year 1

Dr Puja R Myles, School of Community Health Sciences - Epidemiology and Public Health

Dr Puja Myles is an Associate Professor of Health Protection and Epidemiology at the University of Nottingham. She trained as a dentist at Panjab University, India and worked as a dentist in India before completing her specialist training in Public Health in the East Midlands. She completed a doctorate in Epidemiology at the University of Nottingham. She is currently part of the Health Protection Research Group at Nottingham and her research is primarily in respiratory disease epidemiology. She is also interested in evaluation methods and is currently involved in some public health service evaluations.

This is a module framework. It can be viewed online or downloaded as a zip file.

As taught in Autumn Semester 2010.

This module is designed to provide an introduction to the analysis and performance of drama. It has three main aims:

1) To provide an introduction to the analysis of drama;
2) To give a taste of the wide range of performance convention in history, from Ancient Greek tragedy to nineteenth-century naturalism;
3) To foreground drama as a performance medium rather than a form of literature.

At Nottingham, we approach drama as a performance medium: an event within a specific time, space and locale, in which real people and objects are presented to other people in real, shared space. It is always a social event, so we learn to think about the people who do the performing, the place they perform in, and the people they perform to. Written texts may be looked at as much for information about the modes and places of performance as for what they represent or ‘say’. It is to be understood that the space itself and the mode of performing in it create meaning as much as do pre-scripted words.

We emphasise the fact that performance analysis is not literary criticism, and that play scripts should not be read simply as texts. The interpretation and analysis of drama requires different skills. The seminars on the module will provide opportunities for you to develop these skills yourself, while the lectures are designed to provide you with the kind of information necessary for an analysis of performance as an event in real historical time and space.

The module also aims to introduce a range of historical examples of theatre practice, drawn from several different moments in theatre history. The lectures will explore what we know about the performance conventions of Greek tragedy, medieval religious plays, Shakespeare's plays and Restoration/Augustan comedy, turning lastly to the arrival of naturalism as an approach to performance in the late nineteenth century.

Finally, we believe that a seminal way of learning to understand how theatre works is getting involved in performance itself. The workshops held in the Autumn semester provide structured opportunities to discuss the kind of decisions that are taken when a script is realised on stage and to experience the practical consequences of a theatre director’s decision making. More information on the format of workshops is provided below.

Suitable for study at undergraduate level 1.

Dr James Moran, School of English Studies.

Dr Moran's research is primarily concerned with modern drama. His monograph Staging the Easter Rising (2005) explores the connections between literature and politics, and was reviewed as 'a brave, confident book' in the Times Literary Supplement and as a 'terrific read' in the Irish Times. He also edited Four Irish Rebel Plays (2007), a volume described as 'fascinating' by Books Ireland and by Studies in Theatre and Performance. His latest monograph, Irish Birmingham: A History (2010), has been published by Liverpool University Press and reviewed as follows in the Irish Times: 'Even if you have no ties with Birmingham, if you are interested in culture or history, you'll enjoy Irish Birmingham: A History...Moran is a splendid writer, and a very engaging one'.

Dr Moran is currently Head of Drama at the University of Nottingham.

This is a module framework. It can be viewed online or downloaded as a zip file.

As taught in Autumn/Spring Semesters 2009/2010

This resource presents material from four different courses taught across the School of American and Canadian Studies and Film and Television Studies. It addresses various aspects of nineteenth and early twentieth century American entertainment culture.

You can view module outlines for 4 modules taught within the school:

* American Drama (undergraduate year 3 level)
* American Sensations (undergraduate year 3 level)
* Film History (undergraduate year 1 level)
* Emergence of Mass Culture (undergraduate year 2 level)

The information contained within the module outlines includes: module objectives, lecture schedules, reading lists, teaching and learning methods, module resources, modes of assessment and essay questions.

This resource also presents examples of materials from each of the modules listed above. The materials available address:

* The Sensational Novels of the 1850's (from the American Sensations module)
* Mass Market Magazines around 1900 (from the Emergence of Mass Culture module)
* The movie Palaces of the 1920's (from the Film History module)
* The Depression-Era Theatre of the 1930's (from the American Drama module)

Suitable for: undergraduate study years one to three depending upon topic selected (see individual module titles above for more information)

Dr Matthew Pethers, Dr Graham Thompson, Dr Paul Grainge, Dr John Fagg, School of American and Canadian Studies.

Matthew Pethers is a Lecturer in American Intellectual and Cultural History in the School of American Studies. His research largely focuses on the American Enlightenment and early 19th century print culture, but he also has an ongoing interest in the history of the American stage.

Graham Thompson is the author of Male Sexuality under Surveillance: The Office in American Literature (2003), The Business of America: The Cultural Construction of a Post-War Nation (2004) and American Culture in the 1980s (2007). He is currently working on a new research project on Herman Melville's magazine fiction which re-locates Melville within the print culture industry of the 1850s and explores in more detail how magazine publishing developed and operated in order to better understand how cultural products like Melville's fiction were formed and circulated within it.

Paul Grainge is Associate Professor of Film Studies at the University of Nottingham. His teaching and research focuses on Hollywood and contemporary media culture. He is the author of Brand Hollywood: Selling Entertainment in a Global Media Age (Routledge, 2008), Monochrome Memories: Nostalgia and Style in Retro America (Praeger, 2002), Memory and Popular Film (as editor) (Manchester UP, 2003), and Film Histories: An Introduction and Reader (as co-editor) (Edinburgh UP, 2007). Within the Institute of Film and Television Studies at Nottingham, he teaches modules on film history, the cultural industries, the New Hollywood, and media memories.

Dr John Fagg is a lecturer in the School of American and Canadian Studies at the University of Nottingham. His research focuses on literature and painting around 1900 and the representation of everyday life. He teaches courses on American Literature, The Emergence of Mass Culture and the art and literature of New York City.

See the largest collection of Russian WWII propaganda posters outside the former Soviet Union in this video with Professor Cynthia Marsh

April 2009

Suitable for Undergraduate study and community education

Professor Cynthia Marsh, Professor of Russian Drama and Literature, Department of Russian and Slavonic Studies

Professor Cynthia Marsh began the study of Russian after leaving school, by taking an intensive course to A-level at the then Holborn College of Law, Languages and Commerce, in Central London. She then went on to gain BA hons Russian (first class) at the University of Nottingham and spent a year at the School of Slavonic and East European Studies, University of London, completing an MA Area Studies: Russia, before going on to full time research there on the relationship between poetry and painting in the work of the Russian poet Max Voloshin. This research culminated in a PhD, entitled M.A.Voloshin: Artist-Poet: A investigation into the synaesthetic aspects of his poetry (awarded in 1979.)

In 1972, after teaching Russian literature part-time on the University of London External BA honours course at Holborn, Professor Cynthia Marsh was appointed as a lecturer at Nottingham, and subsequently appointed senior lecturer and then Professor of Russian Drama and Literature. She served as head of department of Russian and Slavonic Studies from 2005-2006, and then from 2007- 2009.

In 2002 she was awarded a Lord Dearing Award for Outstanding Teaching by the University and subsequently became a Member of the Higher Education Academy. She currently teaches modules on Russian theatre and Russian drama and her research interests continue to focus on Russian theatre, publishing mainly on Chekhov and Gorky.