In this lesson, students examine how Crosby, Stills, Nash, and Young's "Ohio," …
In this lesson, students examine how Crosby, Stills, Nash, and Young's "Ohio," Merle Haggard's "Okie From Muskogee" and Edwin Starr's "War" articulated the divisive feelings Americans had about the war in the late 1960s and early 1970s. To supplement these songs, students will also watch clips from CNN Soundtracks and analyze polling data, news articles, and photographs from the era.
Students will watch clips from CNN's Soundtracks to identify historic details of …
Students will watch clips from CNN's Soundtracks to identify historic details of NASA's Apollo program. Students will then identify poet and musician Gil Scott-Heron's critical view of the Apollo program through his song, "Whitey On The Moon" and participate in a structured academic controversy activity to debate the controversy of the program.
In this lesson, students will identify the origins of Third Wave Feminism …
In this lesson, students will identify the origins of Third Wave Feminism and explore the diversity of the movement's demands, attitudes, and tactics by immersing themselves in three musical cultures from the 1990s: the Riot Grrrl punk rock scene exemplified by the band Bikini Kill, the female-fronted hip hop scene exemplified by Salt-N-Pepa, and the Tejano music sphere exemplified by Selena.
In this lesson, Barack Obama's second inaugural address serves as a launching …
In this lesson, Barack Obama's second inaugural address serves as a launching point for classroom discussions on how the Stonewall Riots might be comparable to other seminal moments in the ongoing fight for equality in the United States. To supplement these discussions, students will analyze Rod Stewart's "The Killing of Georgie" as a poetic account of LGBTQ+ discrimination in the United States, and compare primary source documents from the Women's Rights, Civil Rights, and LGBTQ+ Rights movements.
Students will consider how Germans resisted what the Berlin Wall symbolized during …
Students will consider how Germans resisted what the Berlin Wall symbolized during the Cold War by examining the musical cultures that developed in East and West Germany. To do this, students will watch clips from CNN Soundtracks and analyze primary and secondary historical sources such as newspaper articles, cartoons, interviews, and photographs.
Welcome to our Introduction to Theater – Learning Resources Spring 2018 book. …
Welcome to our Introduction to Theater – Learning Resources Spring 2018 book. The purpose of this book is to provide open educational resources for those who study Theater. It’s being authored by many helpful Cleveland State University Theater students, as well as Lisa Bernd, PhD, and Heather Caprette, MFA. In the spirit of open, it’s our desire that any alterations of the assignments be shared openly with others, at no charge, but realize we can’t control for this and there’s not always an easy way for someone to share publicly. Many authors of OER generate resources to freely help students and teachers because they realize the challenges students are facing with affording an education and educational materials. We realize this challenge and it’s our desire that these resources be provided for free.
Story circles can be used to build a sense of community in …
Story circles can be used to build a sense of community in the classroom. The technique was pioneered by the late John O’Neal, a civil rights activist and theater artist. He developed the story circle process while moderating audience discussions after performances. He found that audience members listened more and found common ground by telling personal stories instead of trying to persuade and argue their points.
The videos here demonstrate how a story circle works. A facilitator offers a prompt, and then individuals have a set amount of time to respond with a relevant story from their lives. No one interrupts. After everyone has a turn, the group talks together. From the individual stories, the group then creates one story or takeaway.
In these videos, Bob Martin, a community arts specialist in Eastern Kentucky, facilitates a story circle, adapted to an online format because of the COVID-19 pandemic. In the first video, Martin explains the ground rules and quotes O’Neal: “Share the story that comes from the deepest place.” He gives the group this prompt: Tell a story about a time when you were unexpectedly proud of your place or your community.
Lyndy Franklin Smith, artistic director of the Lexington Theater Company, explains how …
Lyndy Franklin Smith, artistic director of the Lexington Theater Company, explains how a production goes from studio to the stage, beginning with music, then moving to choreography, rehearsals, and blocking. She describes the adjustments made as they move to rehearsing on stage at the Lexington Opera House.
In Part One of this lesson, students are introduced to apartheid in …
In Part One of this lesson, students are introduced to apartheid in South Africa. They watch clips from Steven Van Zandt and Arthur Baker's Sun City documentary to learn about apartheid, and attempt to experience what life might have been like during apartheid through a classroom activity. Then, students consider ways in which apartheid could be fought, and whether elements of apartheid in South Africa also existed in the history of the United States.
In Part 2 of this lesson, students view clips from the Sun …
In Part 2 of this lesson, students view clips from the Sun City documentary and explore how musicians united to challenge apartheid. In a group setting, students will consider the various strategies activists, corporations, and other governments used to isolate the South African government and hasten the end of apartheid. Finally, students consider how apartheid relates to segregation in the United States.
This course is designed to train prospective teachers, theatre practitioners and those …
This course is designed to train prospective teachers, theatre practitioners and those interested in broadening their skills in the of leading creative drama sessions within the classroom, studio or recreational facility. Class activities are designed to support curriculum development as well as promoting drama as an art and discipline. Through active learning students explore theories and concepts of Creative Drama practices that are used in the development of curriculum-based lesson plans. Creative Drama focuses on process.
Mountain Men Social Studies Lesson 7 Tales of Jim Beckqourth is designed …
Mountain Men Social Studies Lesson 7 Tales of Jim Beckqourth is designed to be used with Mountain Man Artifact Kit. Lessons 1, 2, 3, 4, 5 and 7 can be completed without the artifacts from the kit. These kits are available through Musuems of Western Colorado to D51 Teachers. This lesson can be adapted to use without the kit. Students will be able to: • analyze a primary document • develop their own skit to share with the class of the events from the autobiography.
The purpose of this textbook is to provide resources about teaching low …
The purpose of this textbook is to provide resources about teaching low brass instruments to music educators and future music educators. The book was developed by the author as part of the open/alternative textbook initiative at Kansas State University. It Is the textbook used for the Kansas State University course Music 239-Low Brass Techniques and Materials.
Welcome to the exciting world of technical theatre. Studying this topic can …
Welcome to the exciting world of technical theatre. Studying this topic can lead to many different careers in several different sectors of the economy. The general skills needed for any of the careers or sectors have many things in common. Workers need to be dead-line oriented, as most productions have firm timelines that cannot be altered. Critical thinking and analysis are much needed skills. Almost every project in the field is unique and technicians and designers alike must discover the best way of reaching a project’s goal. Creative problem solving is trait successful practitioners have in common. With every project being unique, there are no guaranteed solutions to the problems that are presented. Technicians draw on their vast experience of what worked in the past that can be adapted to be a solution to the current problems. Clear communication and collaboration round out the necessary skills. No technical theatre project is ever handled by one person on their own. Collaboration with many people is the norm, and successful collaboration requires clear written and verbal communication skills.
Take a behind-the-scenes tour of the Southeastern Theatre Conference (SETC) Design Competition …
Take a behind-the-scenes tour of the Southeastern Theatre Conference (SETC) Design Competition and learn about the skills required for a career in costume design.
Take a behind-the-scenes tour of the Southeastern Theatre Conference (SETC) Design Competition …
Take a behind-the-scenes tour of the Southeastern Theatre Conference (SETC) Design Competition and learn about the skills required for a career in lighting design.
Take a behind-the-scenes tour of the Southeastern Theatre Conference (SETC) Design Competition …
Take a behind-the-scenes tour of the Southeastern Theatre Conference (SETC) Design Competition and learn about the skills required for a career in projection design.
Learn what it takes to be a scenic designer at the Southeastern …
Learn what it takes to be a scenic designer at the Southeastern Theatre Conference (SETC) Design Competition. Get advice and learn about the skills required for a career in scenic design.
No restrictions on your remixing, redistributing, or making derivative works. Give credit to the author, as required.
Your remixing, redistributing, or making derivatives works comes with some restrictions, including how it is shared.
Your redistributing comes with some restrictions. Do not remix or make derivative works.
Most restrictive license type. Prohibits most uses, sharing, and any changes.
Copyrighted materials, available under Fair Use and the TEACH Act for US-based educators, or other custom arrangements. Go to the resource provider to see their individual restrictions.