Martin Luther King Jr. was the featured speaker at a March on Frankfort, Kentucky, in 1964, where an estimated 10,000 people gathered in a peaceful protest for civil rights. In 2022, researchers Joanna Hay and Le Datta Grimes, Ph.D., recorded interviews with 10 people who participated in that march as teens or young adults. Interviewees in this video explain how music brought protesters together and gave them courage.

Music Theory for the 21st–Century Classroom is an openly–licensed online college music theory textbook that is meant to take the student from the basics of reading and writing pitches and rhythms through twelve–tone technique and minimalism over the course of four semesters. This text differs from other music theory textbooks by focusing less on four–part (SATB) voiceleading and more on relating harmony to the phrase. Also, in traditional music theory textbooks, there is little emphasis on motivic analysis and analysis of melodic units smaller than the phrase. Whenever possible, examples from popular music and music from film and musical theater are included to illustrate melodic and harmonic concepts, usually within the context of the phrase. Practice exercises (with answers), homework exercises, and practice tests are included.

Music Theory for the 21st–Century Classroom is an openly–licensed online four–semester college music theory textbook. This text differs from other music theory textbooks by focusing less on four–part (SATB) voiceleading and more on relating harmony to the phrase. Also, in traditional music theory textbooks, there is little emphasis on motivic analysis and analysis of melodic units smaller than the phrase. In my opinion, this led to students having difficulty with creating melodies, since the training they are given is typically to write a “melody” in quarter notes in the soprano voice of part writing exercises. When the assignments in those texts ask students to do more than this, the majority of the students struggle to create a melody with continuity and with appropriate placement of harmonies within a phrase because the text had not prepared them to do so.

How can we identify the expressive qualities of music through movement? Students demonstrate expressive qualities of music through movement.

Students won't miss a beat in this musical lesson that combines listening with personal response on a postcard.

Students will whistle while they work on this lesson, creating a photomontage movie of their interpretation of a favorite song's lyrics that will end everyone's day on a high note.

In this group task students collect data and analyze from the class to answer the question "is there an association between whether a student plays a sport and whether he or she plays a musical instrument? "

Children are inherently musical. They respond to music and learn through music. Music expresses children’s identity and heritage, teaches them to belong to a culture, and develops their cognitive well-being and inner self worth. As professional instructors, childcare workers, or students looking forward to a career working with children, we should continuously search for ways to tap into children’s natural reservoir of enthusiasm for singing, moving and experimenting with instruments. But how, you might ask? What music is appropriate for the children I’m working with? How can music help inspire a well-rounded child? How do I reach and teach children musically? Most importantly perhaps, how can I incorporate music into a curriculum that marginalizes the arts?This book explores a holistic, artistic, and integrated approach to understanding the developmental connections between music and children. This book guides professionals to work through music, harnessing the processes that underlie music learning, and outlining developmentally appropriate methods to understand the role of music in children’s lives through play, games, creativity, and movement. Additionally, the book explores ways of applying music-making to benefit the whole child, i.e., socially, emotionally, physically, cognitively, and linguistically.

At no other time in a person’s life does one search for a sense of identity, a definition of what self means on a personal level, than during adolescence. It is during the middle and high school years that we are provided meaningful opportunities to step outside of the principal parental/guardian dominated influence that shaped our identity for our first decade.

This unit explores the combined use of music and literature as a means through which youth and adolescence navigate the development of what I have defined as personal, projected and perceived identity. Lessons are organized using the three areas of scope as a guide through sequential and iterative modules designed to develop students’ lines of inquiry towards a deeper and broader understanding of how music mirrors and supports the psychological and emotional events impacting our sense of self.

Students' understanding of how robotic touch sensors work is reinforced through a hands-on design challenge involving LEGO MINDSTORMS(TM) NXT intelligent bricks, motors and touch sensors. They learn programming skills and logic design in parallel as they program robot computers to play sounds and rotate a wheel when a touch sensor is pressed, and then produce different responses if a different touch sensor is activated. Students see first-hand how robots can take input from sensors and use it to make decisions to move as programmed, including simultaneously moving a motor and playing music. A PowerPoint® presentation and pre/post quizzes are provided.

Students examine and listen to a variety of forms of music to learn about the cultural, geographic, and stylistic diversity available within the United States.

This text provides just a small sampling of some of the various musical styles and traditions that might be found, though the skills developed in this course can be applied to any type of music.

This lesson traces the long history of how African Americans have used music as a vehicle for communicating beliefs, aspirations, observations, joys, despair, resistance, and more across U.S. history.

Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding; and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. As music crosses cultural, linguistic, and political boundaries, it continually changes. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation.

In this video segment adapted from Haskell Indian Nations University, student filmmakers explain why it is important to them to make a video about climate change.

In this activity, students use a piano keyboard to model spectral lines as musical chords. It is designed to aid student understanding of spectral analysis, what the patterns mean, how elements are involved, and how this relates to stars. Traditionally, spectral images are two dimensional, and related to text. This auditory activity allows students to "hear" differences in patterns of various elements (e.g., nickel or helium). This activity is part of the "What is Your Cosmic Connection to the Elements" information and activity booklet. The booklet includes photos, teachers notes and instructions, and a link to a color image pdf of visible light spectra that can be printed and used to do the activity. This activity requires a piano keyboard, color printout or construction paper and/or toothpicks (to mark spectral lines of elements).