An overview of Processing forms with events
Now it's your turn to show your stuff! Press play for instructions. To start your project you need to make a modification to this code and then click spin-off. "By participating in this activity, you acknowledge that similar characters may be independently created and you agree to waive any claims against Pixar or Khan Academy for any similarities between the images you produce and independently created characters."
Random vs. Pseudorandom Number Generators. Created by Brit Cruise.
Why do we need public key cryptography? Created by Brit Cruise.
An introduction to putting JS in a webpage
An overview of querying IN subqueries
How to retrieve data from a database using SQL.
Overview of the RGB color model.
Introduction to why we would need RSA. Created by Brit Cruise.
Setting up a trapdoor one-way function. Created by Brit Cruise.
RSA Encryption (step 3). Created by Brit Cruise.
RSA worked example. Created by Brit Cruise.
How could random numbers speed up a decision algorithm? Created by Brit Cruise.
Introduction to random primality tests & how they will work (warm up). Created by Brit Cruise.
Pamela shows the difference between unreadable code and readable code. Go for the latter!
Pierre-Auguste Renoir's 1876 painting Le Moulin de la Galette is an early French impressionist painting, now located at the Musee D'Orsay in Paris. The painting depicts a convivial scene of people mingling at the Moulin de la Galette, an outdoor dance hall in a working-class neighborhood. Painted only five years after the first Impressionist show, the painting features the free brushstrokes and play of light that characterized Impressionism. Speakers: Dr. Steven Zucker and Dr. Beth Harris
Learn how to resize shapes proportionally to each other with fractions and variable expressions.
An overview of restricting grouped results with HAVING
Video by Art21. A pioneer of large-format color photography, Richard Misrach has photographed the American desert for decades, examining the impact of human activity on the natural landscape. From his Berkeley studio, the artist recounts his early work, "Telegraph 3 AM," in which he depicted the homeless population of 1970s Berkeley. Disillusioned with the commercial success of his photographs that he hoped would instigate social change, Misrach turned to the deserts of southern California, Nevada, and Arizona. Creating otherworldly images of cacti and rock formations and unsettling pictures of military bombing ranges, nuclear test sites, and man-made fires, for his ongoing "Desert Cantos" series, Misrach explains how “our culture stands out in very clear relief in the desert.” The artist recounts the origins of his "Border Cantos" series, which focuses on the U.S.-Mexico border wall and the artifacts left behind by migrant crossings. This segment follows the artist as he travels to remote parts of the desert, photographing the visual contradiction of the ominous wall against beautiful landscapes and collaborating with the composer Guillermo Galindo to create installations and musical performances that utilize the items found in the desert. Collectively, Misrach’s work chronicles the places where nature and culture collide, highlighting where beauty and ugliness exist side-by-side. Learn more about the artist at: https://art21.org/artist/richard-misrach/
Rosetta Stone, 196 B.C.E., granite, 114.4 cm x 72.3 x 27.9 cm or 45 x 28.5 x 11 inches, Ptolemaic Period (British Museum, London). Speakers: Dr. Beth Harris and Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.